Addressing the Technique for Amplifying an Unclad Opera Artist's Vocals
In a groundbreaking recording session, Soundmirror, a Massachusetts-based company specializing in classical music recording and production, partnered with the Houston Grand Opera (HGO) to tackle a unique challenge during the live recording of Missy Mazzoli's operatic treatment of the Lars von Trier film, *Breaking the Waves*. The production featured two opera singers, Bess and Jan, who appeared "almost completely nude" on stage, eliminating the usual method of hiding wireless transmitters in costumes or pockets.
To solve this, Soundmirror and the HGO collaborated with the wig and hair departments to employ Lectrosonics' ultra-compact SSM digital hybrid wireless micro transmitters. These transmitters are exceptionally small and concealable, making them perfect for the task at hand.
For the soprano Lauren Snouffler, who played Bess and performed without a wig, a special mesh pocket was crafted and attached at the back rim of her head under her hair. The tiny transmitter was then clipped securely inside this pocket. The microphone cable was routed under her hair, placing the mic discreetly right at her hairline. This allowed clear audio capture without visible microphones or transmitters, maintaining the scene's visual integrity while ensuring high-quality sound recording. The same approach applied similarly for the other singer.
The recording of *Breaking the Waves* presented a unique challenge due to the nudity of two main characters during a pivotal scene. However, with the innovative use of Lectrosonics' SSM micro transmitters, the performance was recorded with "nary a microphone in sight," overcoming the restrictions imposed by the nude staging while delivering excellent audio fidelity.
Alspaugh, who led the Soundmirror team, commented on the SSM's performance, stating that it made all the difference in the stealthy application. He also reported using as many as 32 channels of Lectrosonics transmitters and Venue receivers on any given opera recording.
The Nashville's Former Money Pit Studio, where the recording took place, has recently been put up for sale. The studio, known for its rich history in music production, has been a hub for numerous classical music recordings, including *Breaking the Waves*.
[1] Lectrosonics wireless systems are a fundamental component of Soundmirror's regular opera kit. [2] The kit for Breaking the Waves included four DSQD 4-channel digital receivers, 14 DBu digital belt-pack transmitters, RF Venue Distro4 and Diversity Fin antennas, and 12 DPA 406 omni lavalier microphones. [3] Discussions were held with the HGO's hair and costume departments to find a viable solution for mic placement. [4] Four 4071/DBu mics were also placed on the set during the recording of Breaking the Waves.
- The kit for the recording of Breaking the Waves included Lectrosonics' wireless systems, a fundamental component of Soundmirror's regular opera kit.
- Discussions were held with the HGO's hair and costume departments to find a viable solution for microphone placement, resulting in the employment of Lectrosonics' ultra-compact SSM digital hybrid wireless micro transmitters.
- In the recording of Breaking the Waves, four 4071/DBu microphones were also placed on the set, in addition to the Lectrosonics transmitters and microphones attached to the opera singers.
