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Discuss the VFX Editor Liyana Mansor in an Interview

Explore the journey that led to her professional debut and understand why she employs Continuum and Sapphire within Avid for critically acclaimed productions such as HBO's Chernobyl.

Discussions with Liyana Mansor, the VFX Editor
Discussions with Liyana Mansor, the VFX Editor

Discuss the VFX Editor Liyana Mansor in an Interview

Liyana Mansor, a UK-based editor and VFX editor, has made a name for herself in the visual effects industry with her exceptional work on various high-profile projects. Her credits include Everybody's Talking About Jamie, The Alienist, Chernobyl, Black Mirror, and Alien: Covenant.

Mansor's journey in the post-production world began in 2012 when she started as a runner at a large post house in London. However, the details of her initial entry into the industry or formal training pathways are not explicitly provided. What is clear, though, is that her expertise in editing and compositing workflows, coupled with her proficiency in digital tools, played a significant role in establishing her career as a VFX editor based in the UK.

Mansor's arsenal of tools includes Avid Media Composer, Continuum plugins, Sapphire plugins, and Adobe Photoshop. She often relies on Continuum's Primatte Studio for cleaner green screen replacements and uses custom macros on her Razor mouse to streamline repetitive actions. In her temp compositing process, she frequently collects VFX elements, particularly for action scenes involving muzzle flashes, fire, smoke, and weather elements.

One of Mansor's favourite films is Gwoemul (The Host) by Bong Joon-ho. If given the chance, she would love to collaborate with Bong Joon-ho, Yang Jinmo, or Rian Johnson, citing their unique bodies of work and seamless VFX integration.

Mansor is particularly proud of her work on The Alienist and Chernobyl. On the latter, she was the one-woman VFX Editorial department. When faced with creative burnout, she recommends stepping away and returning to the task later or the next day.

Mansor's favourite snack during long work sessions is Cinnamon Social slices, with Candy Kittens and Portuguese Natas being recent additions. When asked about her advice to her younger self, she encourages not to hesitate or count oneself out of an opportunity just because one doesn't feel ready.

In a significant career milestone, Mansor is a first-time Emmy nominee as Lead VFX Editor on Andor (Disney+). Born in Brunei and raised in the north of England, she graduated from Leeds College of Art and Design.

Mansor's approach to VFX is unique, focusing on creating invisible effects that extend environments to create different and authentic worlds for storytelling. Her work is a testament to her passion for the craft and her commitment to delivering high-quality visual effects.

  1. Liyana Mansor's diverse interests expand beyond the realm of visual effects, as she also enjoys following general-news, sports, entertainment, and technology updates, which often serve as sources of inspiration for her unique lifestyle.
  2. As technology continues to advance in the entertainment industry, fans eagerly anticipate Liyana Mansor's innovative VFX contributions to future high-profile projects, including potential collaborations with acclaimed directors such as Bong Joon-ho, Yang Jin-mo, or Rian Johnson, transforming the landscape of visual storytelling.

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